Tales From the Rec Room

I’m sorry to defer with you, but you’ve always been in the rec room.

Pour yourself a bourbon and advocaat. It’s time to discuss The Shining! We Hate Movies cohost Eric Szyszka returns to discuss our favourite elevated/elevator horror movie, The Shining. Does the lore around how Kubrick treated Duvall border on disrespectful toward her legacy? What is the actual best Stephen King adaptation? And, in all seriousness, what are the biggest ways in which this movie has influenced the horror genre and filmmaking in general? Plus, lots of Treehouse of Horror V references!

After a summer of legendary audio issues, Bree and friend of the show Frederick Blichert cap off the season with a playful romp through a home viewing favourite (“favourite” might be generous for Bree), Urban Legend. The movie obviously apes Scream every chance it gets, which might make it the ultimate movie through which to explore the context of late 90’s blockbusters. In the fun of figuring out exactly what about this movie doesn’t work – when in fact there’s a bit about it that does work – we also look at what sets it apart from the horror movies it was trying so hard to imitate, and how its themes fits into the 2020’s era of misinformation. Also, lots of love for Brad Douriff and Loretta Devine.

Climb into the RV and don’t forget to strap in Milhouse! In our first-ever showdown episode, Ted comes back to discuss two of our favourite Simpsons episodes from our rec room eras – and what they say about our childhoods. Ted’s here to discuss the classic boys’ adventure, Lemon of Troy, and reminisces about playground wars, the cliche of boys never growing up, the perfect depiction of an early summer day where time stretches on forever. Bree brings to the table Summer of 4 ft. 2, to discuss its depiction not only of the 90s but also of, well, a girls’ adventure. Which, naturally, is all about rejection and loneliness. But, like, you know, whatever!

Welcome to the Jay Mohr Cinematic Universe, where your favourite comedy legends are apparently in mortal danger. Friend of the show Mikey “The Mouth” Stephens, having been heavily bribed and plied with favours and snacks, comes to discuss the infantile attempt at a mafia spoof, 1998’s Mafia! (also known as Jane Austen’s Mafia!, for some reason). Does this movie kind of work? (Mike says no, Bree says yes). What was the magic of the ZAZ-iverse (Zucker/Abrahams/Zucker) that was kinda missing here? Could Leslie Nielson have made this movie better? What is the best mafia movie of all time? (Spoiler alert: Not this one). Also, it’s Christina Applegate Appreciation Hour!

Well, after last week’s miserable slog through Family Guy, we’ve come to a nice palate cleanser with… oh, American Beauty? Okay. Well, our old pal Mynt showed up to discuss American Beauty, a movie that was considered such a masterpiece in 1999 that it cleaned up at the Oscars and, less than two decades later became almost universally regarded as a joke, mostly because of the you-know-who of it all, but also because of the argument that it was no longer as edgy, profound or as ground-breaking as we once thought. But upon further reflection it’s still… pretty good? Do people get the criticism of this movie wrong? Do we really think the movie is on Lester’s side, or does it agree that he’s a reckless, misogynistic loser who projects his issues onto everyone? How does this movie reflect the immediate post-Cold War, peak-Lewinski sexual politics of the era? Why did none of these young actors have bigger careers? How did Mynt miss a very young John Cho in this movie? How has the show managed to go off on tangents about Aaron Sorkin two weeks in a row and yet has still never covered The West Wing? Anyway, stick around for the ultimate “hear us out” episode of this season.

Well, they can’t all be winners. Bree and sitcom retrospective expert José look back at the first three season of adult comedy “bad boi” Family Guy – the adult animation juggernaut accused of being everything from a Simpsons clone to one of America’s “worst TV shows for primetime viewing.” The show gained cult status thanks to the DVD box sets that littered many a rec room (hey, that’s the name of the show!) but… did it actually earn it? No, no, this show was just plain bad, even though teenage Bree really, really liked it. Listen to Bree and José try to rationalize how this show has managed to stay on the air for so long, find some nice-ish things to say about Seth MacFarlane, and ponder what it’s like to be a tween of the 00’s raised on Family Guy the way we were raised on The Simpsons. Plus, the first-ever case of someone completely blanking on almost every question of the Lightning Round. It’s my fault, folks, I asked someone to say nice things about Family Guy.

Miss the Euro Cup yet? That’s okay, because we’re taking a European adventure of our own! Bree welcomes returning guest and We Hate Movies host Andrwe Jupin to discuss the 2004 teen sex comedy, Eurotrip. We follow three-and-a-half nobodies around Europe as we discuss the pervasive early-aughts depictions of teen sex and partying (why do all high school students have easy access to kegs? Why are they into G&Ts?), try to figure out what happened to R-rated teen movies, lament that okay-looking people aren’t allowed in movies any more and are shocked that only a few things in this movie (you know, like the big extended sexual assault joke) haven’t aged all that well. It’s okay, we’re Catholic.

Bree reunites with TFTRR video game expert and digital journalist Ted Raymond to talk about the time Mom and Dad (a.k.a. Nintendo and Square) got divorced, and the honour student they made before that happened: Super Mario RPG. We discuss RPG history and the meteoric, early-90s rise of everyone’s favourite plumber, get really, really nerdy about the vaudevillian nature of Super Mario RPG, share our differing opinions about Gino and give our take on the Switch reissue. Oh, and we sing a lot.

It’s the John C. Reilly appreciation hour as Bree and best friend of the show Liz dive into 2007’s Walk Hard! How did such a silly movie manage to have such an impact – temporarily killing the musical biopic genre and the superspoof genre? Does this movie somehow work as a serious movie? How did this movie managed to get such a stacked cast, and will we ever see another movie like this again? Speaking of things you won’t see anymore: cool rock stars, pot jokes and SNL character movies. Where did they all go? Anyway, welcome back to the Rec Room, folks – load up your mouths with popcorn, take a swig of diet soda and enjoy!